Our building will be in a film, Donna walked through the on location set

I went to run an errand and there was a lighting crew with grips (their name was Black Flag working for Warner Brothers) and lights (the equipment read "Red Herring") in our parking lot ready for our building to appear in the distance on film. I brought Donna downstairs and asked if she wanted to go out and see the next street over where they were filming. We walked through where they were shooting and there was an antique vehicle in park, and one of the buildings was covered with graffiti for the film. Someone from the film directed her by saying "Keep on walking" and Donna asked, "Is Johnny Depp here?" The man just smiled. After the lighting crew left she asked to take another walk because it was a nice night. In front of a 68 Buick used in the film, she talked to security about tomorrow's afternoon filming and they told us about a Celtic Phonebox. We walked back through "the set" and found a wooden phone box the read "Telefon"; presumably the main street will be used for the United States and the side street will be a scene thought to take place in Europe. Mostly Donna liked having her picture taken in front of an Antique European car. Usually the most exciting thing is the wild rabbit that comes out from the train tracks and a hawk that flies through the parking lot to land on top of the building.
The movie is scheduled for next year, so untill then.......

Assignment Finished, Sent To University of Edinburgh

Edie Motif  by Scott Lord
Assignment to be graded
University of Edinburgh
Art History course online

Edie Minturn Sedgewick poses for Artist Scott Lord at Tate Gallery Poetry Reading

Today, Edie Minturn Sedgewick, currently operating Edie's Farm on wordpress, avoided reporters at Scotland's National Gallery, showing up later at the Tate Gallery, to give a poetry reading. At the reading various depictions of the themes of sex and death were included in an exhibition by artist Scott Lord of The Univeristy of Edinburgh. Miss Sedgewick and Mr. Lord were both at one time residences of Massachusetts, in the United States and were enthralled in what they had in common during discussions about Boston. Miss Sedgewick, who had wanted to pose for Playboy magazine, passed away from a barbituate overdose in the early seventies and was revived, through esoteric means of suspended animation, by Dr. Glyn Davis, also of the University of Edinburgh. It is rumored that Professor Davis and Mr. Lord met through his researching for film criticism after classes on Scandinavian Film at the University of Copenhagen, which also offers a massive online college course. The Dashing Dr. Glyn Davis was delightful during the evening providing insights into art history and expressed a sincere interest in also reviving the art critic Kenneth Clark, were his small laboratory were to find funding from a more global source, possibly underwritten by the United States, although it is rumored that he present he has gotten Kenneth Clark"s hand to move a little in a friendly wave and maybe some knowing eyelid movement, like a wink. With some of the Liverpool poets from the early sixties he has no luck, particularly several attempts to bring back to life Mercy poet Hugh MacDiarmid. Mr. Lord is presently pitching articles and will soon join the staff of Cinema Scandinavia.

Behind in my homework University of Edinburgh, behind on my film review Australian magazine

I passed Scandinavian Film and Television in an online course offered by the University of Copenhagen with 87.9% (the first essay was student graded and bought it down) and got a statement of completion. So I added an Art course from the University of Edinburgh because I knew it included Underground Cinema, which I'm in the middle of now. I also have a lecture series on classic narrative film from a University in the United States that has one final test at the end. But I was introduced to a Masters Student from Australia that just began the first issue of a magazine. I missed the deadline to the first issue- but I apparently "pitched the article" and sent the first half one day before deadline and got an extension. So there is no rejection whatsoever on the first two-three paragraphs, the submission is still active- in effect a silent film review will appear in late in an issue centralizing on Ingmar Begman. (maybe I would have had two). The Danish course was structured with weekly quizes and these two courses are not, so I let my ten-week routine ease-up, not alot, but enough to be in a hurry to study quick and more precise. If and when the article makes it, it could be included in academia.edu, so of course I haven't hurried. The assignment includes essay and artwork- see above, but you know what, I had an old paperback on Underground Cinema years ago, which I liked, and I found the entire book, available free for download on the internet wayback archive, and their copy specifically is an autographed copy the author addressed to the "internet archive"- well isn't that the spirit of the thing? Given to the archive by the author with a note in pen- I'm very glad to use it for a class the month I probably will be published. (My new kick is taking courses from foreign Universities on line) One of the professors, and in this milleau there were five professors over ten weeks, was already mentioned in my webpages before I signed up, so needless to say he's included in the portion of the article I've aleady submitted- the other in the meantime has vistied Princeton, travelling from Denmark and my editor in Australia and I are reading his lecture after the class has finsished.